It's not really a music video. Habitat for Humanity was started by Millard Fuller in 1976 on one premise: Everybody deserves a simple, decent place to live. 300,000 houses later, Habitat continues to change the world, one family at a time.
I was first introduced to the classical harmonica of Robert Bonfiglio back in the mid 1990s when he was a guest on the Jim Bohannon show. I'm still amazed that anyone can make a harmonica sound like this.
Inspired by the story of Kitty Genovese, who was murdered outside her apartment while dozens of other residents watched, this social commentary by Phil Ochs looks at the apathy that infects American life. Over forty years later, this song is more relevant than ever.
In the U.S., all we hear about Gaza is news reports of violence and bloodshed. Here's a reminder that the people of that war-torn land are just as human as we are.
Boney M incongruously blends the gloomy words of Psalm 137 with a bouncy Jamaican beat. Granted, the images of partying on the beach don't blend with the words, "We wept when we remembered Zion" and "How shall we sing the Lord's song in a strange land?" But at least they were smart enough to leave out the verse about dashing infants against the rocks. Nevertheless, I like this song. I was about nine or ten years old when it was released, and I spent many Saturdays at the local skating rink. The songs that played while we skated are still some of my all-time favorites.
Taking a stand in the face of oppression is never easy; sometimes it is fatal. But because of the sacrifices of people like Martin Luther King, Jr. and Steve Biko, we can all enjoy more freedom today.
Seattle-based Fleet Foxes released this, their debut single, in the middle of the summer, but any time of year is a great time to listen to this song. I don't even know half the lyrics, but that doesn't matter. This song is about vocal harmony, and there are very few who can do harmony like Fleet Foxes.
When four-year-old José Ángel Hevia Velasco saw a bagpipe player in a procession, the unity between the player and his instrument seemed to have a magical quality. Since then Hevia has spent a lifetime mastering this instrument, teaching others to play it, and managing a factory where the instruments are made.
Here he creates his own bagpipe magic in his best-known composition, Busindre Reel.
Note: Publication of this post was delayed due to a family emergency, but I've kept the Monday 12:01 date/time for the sake of consistency.
This brilliant juxtaposition of the serene Christmas anthem with the headlines of the day shows how wide is the gap between the Kingdom of God and the world in which we live. The song was recorded in 1966, before music videos, but several YouTube members have provided their own video interpretations. This one, which uses magazine covers from then till now, shows that the more things change, the more they stay the same.
This Central American hymn is also known as "Tú Has Venido a la Orilla" (or in English as "Lord, You Have Come to the Lakeshore"). In February 2000 I was in the Ixil village of San Juan Cotzal, in the Guatemalan highlands, working with a team of Volunteers In Mission to help rebuild a church that had been destroyed in that country's civil war. On Thursday evening of that week, we attended a worship service in the partially-built church, and we sang this song. The VIM team began in English, and as the locals recognized the melody they joined us, singing in Spanish and Ixil. That worship service gave me one of the most profound experiences of the presence of God that I've ever had.
Here's the song done all formal and proper:
Here's a rock version:
And the English translation of the lyrics:
1. Lord, you have come to the lakeshore looking neither for wealthy nor wise ones. You only asked me to follow humbly.
Refrain: O Lord, with your eyes you have searched me, and while smiling, have spoken my name. Now my boat's left on the shoreline behind me; by your side I will seek other seas.
2. You know so well my possessions; my boat carries no gold and no weapons; But nets and fishes -- my daily labor.
3. You need my hands, full of caring, through my labors to give others rest, and constant love that keeps on loving.
4. You, who have fished other oceans ever longed-for by souls who are waiting, my loving friend, as thus you call me.
This song, from U2's Achtung Baby album, tells the story of Jesus' last days from Judas' perspective. The dark lyrics end with a message of hope, imagining Judas asking for forgiveness as his life ebbs away, and finding that Jesus' grace really is big enough for everybody.
My two favorite kinds of music are Celtic and Folk. This ballad, a collaboration between folk legend Joni Mitchell and Celtic legends the Chieftains, is a cautionary tale about a charity gone wrong in 19th and 20th century Ireland.
I'm going to try something new. Every Monday I'm going to post a video from YouTube. We'll see how long this lasts.
This week's pick is a work of pure genius: The Blind Boys of Alabama sing "Amazing Grace" to the tune of "House of the Rising Sun". The haunting melody strips away the familiarity of this hymn, and re-emphasizes the dark past alluded to in the lyrics.